My Gear – Chapter 4
Canon PowerShot A20

Canon A20As I looked back over my travel gadget purchases, it was immediately obvious that many preceded a major trip. The idea of a long lived website, rather than a one trip experiment, started to form as I got serious about retracing a 1920 Florida trip my great-grandparents had made. Purchases were made during the summer of 2001 in anticipation of making the trip in late August. The first was a real upgrade in the camera department.

Some of the improvement over the Agfa came from a significant increase in price but a lot more came from two years of progress. Even with more than a hundred dollars off the $500 MSRP, the Canon PowerShot A20 cost over twice what I’d paid for the Agfa — $384 vs. $186 — but I now had a real camera. It had auto focus, 3X zoom, and 1.92 effective mega-pixels plus, apparently, 0.18 ineffective ones. This was good enough to convince me that I didn’t have to carry my film camera everywhere but not good enough to make me want to get rid of it. Digital was clearly the only way to feed a website but film was still the way to go for good sharp prints.

I believe it was about this time that a friend asked me to recommend a good digital camera and I answered that I couldn’t. There were some very good digital cameras being made but they cost thousands not hundreds of dollars. Nikon’s first digital SLR, the D1, came out in 1999. The 2.6 mega-pixel wonder retailed for $5580 — body only. The D1X came on the market in early 2001 at about the same time as the A20. With what is now a familiar characteristic of electronics, resolution, 5.4 megapixels, was up and price, $5350, was down. These were professional quality cameras with prices that could only be justified by professionals needing instant product. For an amatuer convinced he needed instant product to feed a website, even the few hundred dollar price of the little Canon wasn’t easy to justify. Of course, if financial justification was a real factor in any of this, there wouldn’t even be a website to feed.

Book Review:
Route 66 Sightings

Route 66 Sightings coverI expected to be impressed by the images in Route 66 Sightings. They come from three of the best photographers ever to point a camera at Route 66. I didn’t expect to be educated though I now realize that I should have. Those three photographers, Shellee Graham, Jim Ross, and Jerry McClanahan, are also three of the most competent of Route 66 historians.

The first book I reviewed on this blog was a photographer-writer collaboration. That’s a fairly common arrangement. It’s not because the writer can’t take a decent photograph or because the photographer is illiterate or knows nothing about the subject.  It’s because one person typically produces better images while the other is the better word smith and/or more knowledgeable. The three people behind …Sightings are all quite adept at recording, remembering, and ‘riting.

Unlike many books connected with a road, the organization here is not geographic. No east to west or north to south. Instead, the photos are divided into categories. Roadside attractions and businesses that have completely vanished are pictured in a gallery (Yeah, it’s a lot like a chapter.) called “Gone”. Some that can still be visited, but just barely, appear in the “Used to Be” gallery. “Against the Odds” covers the rare business or attraction that continues being what it’s always been and “Rescued” covers those that live on by being something different. Roadside attractions with a recent beginning make up “New Kids on the Block”.

“Gone” is the first gallery and I believe it is my favorite. Of course, nothing in the gallery exists today. With very few exceptions, they were gone before I started paying attention to Route 66 in any meaningful way just shy of the turn of the century. So I get a glimpse of things that I’ll never see in the real world and that fact, no doubt, has a lot to do with the chapter being my favorite. Some of the subjects were still operating (Shawford Motel, Club cafe) or at least intact (Coral Court Motel) when photographed. Others (Conway Motor Court, Querino Canyon Trading Post) would be candidates for the “Used to Be” gallery if time hadn’t since obliterated them completely. I have to single out McClanahan’s picture of the Querino Canyon Trading Post, with the buckled building frozen in mid collapse, as a personal favorite.

By being first, the “Gone” gallery introduces the format for the book’s layout. It isn’t particularly rigid so maybe style is a better word than format. With but a few exceptions(3, I think) each spread (both verso and recto pages, and yes, I did have to look that up) is a set. There is one large photograph and two or three smaller ones. All are of varying sizes. They may or may not all be by the same photographer and may be of the same subject or merely related subjects. The accompanying text is written by the person who produced the set’s large image. It looks good and works well.

And the “Gone” gallery does one more thing. It bolsters the credentials of the authors. I’ll confess to not knowing exactly how long each of these writer-photographers has been cruising Route 66. I believe McClanahan has been doing it most of his life and I suspect that’s true, or close to it, for Graham and Ross, as well. Regardless of what the year counts are, the pictures in “Gone” show that these three were looking seriously at the road and the world around it long before most of us even got off of the expressway. The accompanying text is a combination of personal memories, learned history, and an occasional thimble full of roadside philosophy. You step out of the gallery feeling that, if they know that much about stuff you’ve never even heard of, they’re certainly qualified to write about anything the other galleries might hold.

“Used to Be” is filled with thought-provoking pictures of abandoned and deteriorating buildings. Two photos in particular grabbed my attention. Both are by Jim Ross as are the majority of photos in this section. The first is of the Painted Desert Trading Post. I’ve never been there but I’ve seen plenty of pictures. Most are close-ups that show the building and its hand painted signs. Ross has captured the view from some distance so that the actual trading post, on a fading gravel road surrounded by lots of nothing, takes up a very small portion of the photo. He tells us that this was an “opportunity to more fully portray the desolation of the site”. It does indeed.

The other “Used to Be” photo that tugged at my eye is of a place where I have been. I’ve visited John’s Modern cabins a couple of times and I’ve seen scads of photos. Ross sets his photo apart from most by filling the frame with the green of the shingles and the red and yellow of the faded sign backed by green leaves. The condition and, yes, the desolation, of John’s Modern Cabins may be more accurately shown in Jim’s wider and grayer and more typical shot on the opposite page but I like the green.

Because they are currently active, the subjects of “Against the Odds”, “Rescued”, and “New Kids on the Block” are likely more familiar to fans of the road than even those of “Used to Be”. Not only do they show up in trip reports and vacation albums, many are actively promoted and advertised. Of course, the trio behind Route 66 Sightings does not do normal even here. Shellee Graham puts owner Fran Houser’s autograph covered truck in the foreground of a Midpoint Cafe photo, Jerry McClanahan captures a restored 1956 Greyhound in front of the Munger Moss in 2010, Jim Ross shows us the Hackberry General Store with snow on the ground, and there are plenty more.

There is, in fact, a whole gallery I’ve not even spoken of. It shares its name with the book itself and is called simply “Sightings”. It’s potpourri; Really good potpourri. It contains photos that the authors liked well enough to include despite them not fitting in any of the planned galleries. How’s that for an endorsement?

The quality of the contents is pretty much matched by the quality of the book itself. The slick heavy pages reproduce the photos wonderfully. There’s little doubt that a picture’s colors appear just as the photographer intended even for the book’s handful of black and white images. It’s a beauty… and smart, too.

Route 66 Sightings, Jerry McClanahan – Jim Ross – Shelly Graham, Ghost Town Press, October 2011, 12.2 x 9.3 inches, 200 pages, ISBN 978-0967748184

Book Review:
Border to Border on US Route 89

US-89-Photography-Guide-CoverWhen I first glanced at the title of James Cowlin’s latest ebook, I’m pretty sure I expected it to contain advice on exposure and filters and other photographic folderol. But a more thoughtful reading of the carefully constructed title yielded a different impression. Just as the title says, Border to Border on US Route 89; A photographer’s guide to America’s most scenic highway is not a guide to photography. It’s a guide to a highway.

It was written by a very accomplished photographer and other photographers, even some as good as Cowlin himself, can benefit from it. But, at its heart, the book is simply a guide to Cowlin’s beloved US 89 written — and illustrated — from a photographer’s point of view.

The book is organized around thirty photos taken in the spring of 2010 as the Cowlins (Jim and wife Barbara) traveled the highway from Mexico to Canada. Each beautiful photograph is accompanied by a few lines of text which typically tell something about the subject as well as something about the photo. But that something about the photo is not F stops and focal lengths. It’s generally just Jim explaining what he saw and tried to capture.

The photos appear, each on its own page, in south to north sequence. Cowlin sees three geographic regions along the route and a couple of pages of description precede the photos from each region. These pages provide a little background, give some idea of what might be seen there, from the 58 kinds of reptiles and amphibians in southern Arizona to the glaciers at the Canadian border, and identify some favorite photo ops.

The book does not contain detailed instructions for driving the route or for duplicating the wonderful pictures. It does contain an excellent overview of the road that Cowlin calls “America’s most scenic Highway”. He lets slip the real purpose of the book in the forward when he says “I do hope that this guide will inspire you to take a road trip on US Route 89.” The book definitely contains a lot of inspiration.

James Cowlin is the founder of US Route 89 Appreciation Society. Border to Border on US Route 89; A photographer’s guide to America’s most scenic highway can be purchased here. A Road Trip Map Book is available here.


Deciding that book reviews were a good fit for this blog instantly put me way behind. If I posted them on Sundays when there was nothing more pressing it might take me months just to squeeze out the half-dozen or so already on the list. To keep that from happening, I’m going to post book reviews on Wednesdays for the next few weeks and leave Sundays for whatever.

My Gear – Chapter 1
Agfa ePhoto 780c

Agfa ePhoto 780c cameraThere has always been some hardware associated with my road trips. In order to update a website, I needed some sort of computer and, if I intended to include photos in those updates, I needed a digital camera. GPS has also been part of the mix from the beginning. A computer, a camera, and a GPS receiver have been my travel companions on every trip but they have changed at least as much as I have though in different directions. While I’ve gotten weaker and slower and balder, they’ve become more powerful, faster, and more loaded with features.

Noticing changes in electronic gear occurs fairly frequently. It’s unavoidable when something new enters my toolkit but I also think of it at random times like when I upload a decent sized picture in less time than it used to take to upload the tiniest of thumbnails. I thought about it in some detail in August of 2009. It had been exactly ten years since my first road trip post and I was on another one. I commemorated the first trip by posting a picture and some musings on each day’s tenth anniversary. I think the idea for something like this series of articles was born then though I didn’t quite realize it and I had no idea of the form it would take. The “series of articles” I’m talking about will be a set of blog posts talking about the various bits of gear I’ve used in maintaining DennyGibson.com. This is the first. Others will appear, in sequence but not consecutively, as space and time permit.

Arcadia, OK, Round Barn 1999In July of 1999, I bought an Agfa ePhoto 780c from on online outfit called uBid for $185.99. What I got for that nearly two hundred dollars was a zone focus 350 kilopixel (Does that sound better than 0.35 megapixel?) camera that stored JPGs on an included 2 MB Smart Media card. The standard resolution was 320×240 but it also offered 640×480 and 1024×768. That last resolution was produced by extrapolating those 350 kilo-pixels into 0.786 mega-pixels and I’ve always assumed that is where the model number came from but don’t really know. Click on the picture above for one of those full resolution photos from 1999.

I also carried a Nikon 35mm pocket camera for “real” pictures but the Agfa did the job it was hired for giving me a way to post pictures on the same day they were taken. Back in the twentieth century that seemed pretty cool .

The camera came with Agfa’s Photowise software which allowed me to copy photos from the camera and edit them on my Toshiba Libretto (the subject of a future post). The interface was RS-232 serial and none too fast. I soon developed the habit of immediately firing up the copying when I checked into a motel then heading out to dinner while the photos flowed through the wire. On my return, I’d select and edit the photos, prepare the web page, and start the upload — assuming I could actually connect with my 10¢ a minute dial-up.


The journal of that first trip is here. It is the only trip where I truly relied on the Agfa. The ten year reminiscences begin here. Look to the right side of the page.