This picture is from my 2013 American Songline in Hayesville trip. During the Lincoln Highway’s centennial, singer Cece Otto performed a series of concerts along the highway including one at the historic opera house in Hayseville, Ohio. I centered a three day trip around the concert by preceding it with a Carey Murdock concert in Van Wert, Ohio, and following it with a visit to the Columbus Zoo. Cece documented her centennial concerts with a 2015 book which I reviewed here.
Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full sized photo and the associated trip journal.
In its preface, Lyell D. Henry Jr. suggests that this book is something of a compromise. The reason is that he once set out to write about every detail of the Jefferson Highway and the association behind it. That’s a lot of details and, especially with no known central source for records or maps, a formidable task. Henry says he “…settled on writing a book that would open with a general accounting of JHA’s early pursuit of the entire highway but then narrow its focus to the highway through Iowa.” The Jefferson Highway: Blazing the Way from Winnipeg to New Orleans is indeed a book of two parts. The first four chapters cover the history of the organization responsible for the entire highway; The last three tell the story and describe the route of the road in Iowa. The scale may be less and the focus may be narrower than what Henry once had in mind but, within that narrowed focus, there is certainly no detectable compromising of accuracy or completeness.
Cece’s a singer… and a traveler and now a writer. Cece (I know the book cover says Cecelia but few actually call her that.) has been singing since childhood. As an adult, she has spent a goodly amount of time singing professionally as a classically trained mezzo-contralto and there was travel, both in and out of the US, involved. Then, just as the career should have been accelerating, a stumbling economy resulted in it instead being sort of paused. Cece used the time to attend workshops and other activities to help in focusing her future. One workshop involved identifying, in a short amount of time, “…five projects you see yourself doing…” and one item on her hurriedly produced list was “singing travelogue”. No one, including Cece, was quite sure what that meant but it sounded intriguing and, before long, she was on her way to defining a real world project that included a coast-to-coast concert tour, a CD, and this book.
Sometimes hordes of fans demand an e-book version of a publication which prompts the publisher to pull out all the stops and produce one immediately. Sometimes one or two people casually ask about an e-book version and probably forget about it by the time one appears a year or so later. One of these sentences describes my situation perfectly.
Other than correcting a couple of spelling errors, absolutely no text was changed in generating the e-book. The same pictures are in the e-book as in the paperback with essentially the same dimensions. I did utilize color versions so they ought to look a little prettier on some devices. To make things reflowable, I unhooked the pictures and their captions from fixed positions on the pages and placed them between paragraphs. If you think of the sizing and positioning of a book’s non-text elements within the text as design, then what I did was undesign the book. To be honest, there wasn’t very much “design” in it. I placed pictures where I thought they looked good and I chose sizes to spotlight those I particularly liked or to allow some to be grouped together. Design is too kind a word. At best what I did was layout. I arranged some block images so that they looked alright, appeared near any text that referenced them, and didn’t disrupt that text too much. But other books truly are designed and their designers agonize over scaling and placing elements so that a page — a physical page with fixed dimensions — looks good and works well. That sort of design is no better accommodated in the e-reader world than my clunky picture layouts.
