It’s a Gas… Engine Show

Terry’s back. And so is Dale. And so am I. I’ve known Terry since about age twelve. Dale and I go back even further having met in first grade at age six or so. Terry collects and restores Wheel Horse tractors and is a regular exhibitor at an event sponsored by the Tri-State Gas Engine and Tractor Association at the Jay County Fairgrounds in Portland, Indiana. Dale has a passion for bicycles and regularly exhibits at an event the National Vintage Motor Bike Club puts on at the same place. I have attended both events multiple times as a spectator with a lot more curiosity than knowledge. The events have provided the three of us with an informal get-together opportunity and that is something that’s been extra scarce this year.

As a primarily outdoor event, I figured the show would be relatively safe and I believe it was. At odds with that belief was the fact that most attendees walked about without masks most of the time and often chatted without fully six-feet of separation. But people did don masks when standing in food lines and such, and staff at the entrance and elsewhere were masked. And, while faces weren’t always a fathom apart, they were rarely significantly closer than that and people at least seemed somewhat aware of their distance from others. There were frequent announcements about masks being required in the few indoor spaces being used this year, and it sounded like that was being enforced although I did not check it personally. Those announcements also told everyone that masks were required by the free shuttles. We noted that not one person was wearing a mask when the shuttle passed several times within sight of our home base at Terry’s display, but the one time I actually saw someone exiting the shuttle he pulled up his mask as he walked past the other passengers. It was a mixed bag, Safe? Relatively is the right word.

We made two forays into the exhibits. Our first destination was a threshing operation that some of Dale’s neighbors were involved in. Threshing is one of many farming tasks involving multiple generations, and that was the case at this demonstration. Power for the threshing machine was supplied by a kerosene-fueled 1920 Rumely Oil Pull. Mobility came via a somewhat newer 1954 International Harvester Farmall.

I’m told that large scale vintage construction gear has long been part of the show but I either failed to notice or failed to remember. There was even a big pile of dirt available where “kids” could play without being yelled at for messing up the yard.

Here are a few of the things to be seen near home base where we returned to eat lunch purchased from a nearby vendor.

This is the home base I’ve mentioned, with Terry under the canopy and Dale beside it. Those are, of course, just some of Terry’s herd of Horses. The newest addition is that black nose that can barely be seen at the far end of the row. It’s a real one-of-a-kind hotrod that, while I failed to get a good picture of today, I did get pictures of at its place of birth. They’re here and here.

Following lunch, we headed out to cruise the other half of the show. I rode behind Dale in the trailer as I had on the earlier outing. I quite enjoyed being chauffeured around and being able to take (only slightly crooked) pictures at will. Dale once had a summer job as a test driver for Lambert Manufacturing and scored a factory ride for a lawn tractor rally at the annual company picnic. A trailer was included and I was invited so I covered the rally with a view somewhat like the first picture behind a Lambert tractor somewhat like the red one in the second picture.

Not only do the dirt piles you play in grow bigger as you age, so too do the scale models you build. This one is street legal and capable of hauling… stuff.

The guy with the miniature semi-tractor told us about this miniature inline-six a few aisles over. It isn’t a copy of any particular bigger engine, but, with the exception of the carburetor, is built completely from scratch. Even the tiny sparkplugs were machined from some sort of countertop material. It’s mighty impressive from the outside but thinking about the cam and crank shafts inside makes it even more phenomenal.

With a straight line distance of approximately ninety miles, this becomes the farthest I’ve been from home since February. Greenville, which I’ve been to multiple times, is about sixty straight line miles away. The other Gibson I saw there was a lot farther from home than I. This fellow is from a Seattle, WA, company that closed down in 1952. If my original plans for this year had held up, that’s where I would have been sometime earlier this month. Hold on, Seattle, I’m coming.

Trip Peek #93
Trip #114
Battle of Lake Erie Bicentennial

This picture is from my 2013 trip to the Battle of Lake Erie Bicentennial. Even though the anniversary of the battle was the trigger for the trip, it would be over and I would be back home before the date actually arrived. The battle took place on September 10, 1813. A reenactment occurred on September 2, 2013. Watching the reenactment required a ticket that I’d waited too long to buy so I did a “bicentennial light”. I took two ferry rides to Put-In-Bay checking out Perry’s Victory Monument on one trip and a reproduction of the Niagara, Perry’s flagship, on the other. Onboard for the second trip was a Commodore Perry reenactor who provided considerable history. There was a day between the rides which I spent exploring Sandusky, Ohio. The picture shows both the Niagra and the monument.

When I left Sandusky, I headed to Canada to explore some of the sites connected with the Battle of the Thames in which Tecumseh was killed less than a month after the Battle of Lake Erie. I returned to the states to cover the bits of Michigan’s Dixie Highway that remained undriven by me. All of that had been planned before I left home. The trip’s unplanned bonus (Every trip should have at least one.) was in Canada. I stayed at a very nice B & B near Buxton National Historic Site. That this was “A Terminus of the Underground Railroad” was cool enough, but the fact that the 90th annual reunion was taking place while I was there was an extraordinary piece of luck.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Festless in Cincinnati

In last week’s post, I told of becoming a big fan and semi-regular attendee of the annual Bockfest parade. At the time, I had every intention of attending this year’s event but it didn’t work out that way. Despite predicted near-freezing temperatures, those intentions survived until the afternoon of the parade but no further. Predictions of partly cloudy and low chance of precipitation became completely cloud covered with light snow. Recalling my 2013 “I’m too old for this” decision, I gave the parade a miss.

I had, of course, planned on the parade being the subject of this week’s post. Fortunately, there had been an event earlier in the week which makes a very suitable substitute. Narrow Path Brewing, in nearby Loveland, held their own mini-Bockfest on Tuesday. There was no parade but there were genuine goats, imposing monks who may or may not have been genuine, and a genuine ceremonial tapping of a keg of bock beer.

I didn’t make it to Bock Hall or the adjacent tent of many breweries in Cincinnati, but I did get to sample three of the area’s bock offerings. The first was the Sonder Brewing‘s William Goat featured in last week’s post, and the second was Narrow Path Brewing’s Pathinator that I enjoyed on Tuesday. The third was Common Denominator at  The Common Beer Company on Saturday. I met fellow road and beer enthuiast Perry Huntoon there, and his son snapped our picture when there was still a little Common Denominator left in my glass.

Scenes from when I actually made it to the big downtown bash can be found here: 2010, 2011, 2014, 2015, 2016, 2018, 2019.

Royal Competition

I attended my first Bockfest Parade in 2010 and immediately regretted missing the preceding seventeen. My attendance hasn’t been perfect since then but it’s on the plus side: 6 of 10. My attendance at other Bockfest events has been perfect. I haven’t attended a single one and that includes the multiple Sausage Queen competitions that take place each year. One reason was the expectation of crowded spaces which I don’t enjoy nearly as much as I once did but location has also been a factor. To be honest, location could be problematic for a couple of reasons. One, of course, was distance. Most events happen downtown which means a bit of a drive plus dealing with parking. Secondly, many were in places I was unfamiliar with. I presumed that most of the attendees were folks who frequented the various places and the fact that I did not sort of added to the “crowded spaces” aspect. But this year the last of seven qualifying events took place just up the road in a place I’m fairly familiar with.

Sonder Brewing is the brewery closest to my home. It’s less than two crow-miles from my door and about two and a half if I stick to the roads. I arrived more than an hour ahead of the scheduled start of competition and the place was packed. I got a beer and hovered near the bar until a seat miraculously opened. My first beer was a porter. The second was the more appropriate William Goat bock pictured above. I can’t say whether or not the flouting of the “‑ator” bock naming convention was intentional but I can say it was quite good. I happily sipped my brew to the sounds of 99 Luftballon and Beer Barrel Polka — both in German. Then it was La Bamba and Livin’ On A Prayer in Spanish and English respectively.

The competition took place in the far corner. The acoustics were horrible so I had almost no idea of what was going on and the lighting and distance helped me make photos that matched the acoustics. I got no pictures of one of the three entrants and didn’t even learn her name. I was rooting for Ashli, who was assisted by an energetic dance team, only because I’d met her and some of her team before things got rolling. Rhonda also had a little help and both had sizable cheering sections.

Rhonda was the ultimate winner although I don’t know why or how. She will represent Sonder Brewing in the final competition for the 2020 Sausage Queen at Bockfest Hall next Saturday.

 

Trip Peek #91
Trip #87
Route 66 Festival 2010

This picture is from my 2010 trip to the Route 66 Festival. It was promoted as a Joplin, Missouri, event since that was the nearest city but the main organizers lived in Kansas and most activities took place at the Downstream Casino in Oklahoma. It’s quite fitting that the featured photo is of the point where all three states meet. The first day of the festival was the sixth day of the trip. On the way there I visited Saint Louis, Missouri, and a few towns in Kansas and Oklahoma. The homeward portion of the trip is documented in a separate journal since I headed directly to my first ever Lincoln Highway conference after the three day Route 66 festival.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

So It’s a Little Fishy

It’s no secret that I’m a fan of Groundhog Day. I don’t mean the movie, although I like that well enough. No, I mean Groundhog Day the day. I’ve seen Punxsutawney Phil, Buckeye Chuck, and Rosie the Groundhog perform predictions regarding the nearness of spring. I once had plans to observe Woodstock Willy at work but those got knocked off by a blizzard. I have eaten some sort of pork sausage on the second day of February for several decades. I’m quite taken with the holiday and may get out to see one of the furry forecasters next week, but yesterday I checked in with a popular predictor of a very different sort.

Several years ago, some folks in Buckeye Lake, Ohio, hatched a plan to give their community a little mid-winter boost. Winterfest involves many of the town’s eating and drinking establishments. Special food and drink offers combine with assorted entertainment to make it a fun day and fuel sales. A blatantly groundhog day like event anchors and opens the festival.

By 6:00 AM, a crowd had begun to gather in the park near the lake. Around 6:30 Benny the Bass arrived in his hundred-gallon aquarium. Music, dancing, and some lighthearted speeches helped build the excitement until 7:00 when a bucket of minnows was emptied into the tank. According to the six-year-old legend, if Benny downs a minnow in a minute or less, an early spring is on the way. If not, winter will drag on for another six weeks. I’d read that the official chant was “Take the bait. Spring can’t wait”, but chants of “Eat it Benny” were all I heard today as time ticked away. The thirty-second warning was reached then a countdown of the final seconds and a loud moan of disappointment from the crowd. I wonder if the old “Take the bait” chant would have made a difference. 

It was a short moan that got quickly covered by the boom of fireworks and a blast of Springsteen. “Glory Days”, rockets’ red and white glare, “Born in the USA”, and for many, it was time to go get a beer.

The crowd thinned quickly so I was able to see the whole tank for the first time. I walked around it to photograph the bad news that someone had written on the glass on the opposite side, but before long, the same sad prediction was written on the other side as well.

The opening photo was taken yesterday when I first came into town and stopped by the Buckeye Lake Brewery. That’s where Benny will be displayed for the rest of the weekend. The bartender had suggested parking near the brewery and walking to the park. That’s what I did which gave me an opportunity to stop by Our Lakeside Diner for breakfast on the way back. A Groundhog Day breakfast always includes pork sausage. Today was a lot like Groundhog Day but sausage didn’t seem all that appropriate for the occasion. My problem was solved when I saw perch & eggs on the menu. Walleye was also offered but perch seemed just right.

By the time I finished breakfast and walked on to the brewery, Benny had been moved to an adjacent spot. The finned boat and wood-grained wagon make for a really classy ensemble. I don’t think there was an official minnow count so it’s unknown if any are missing but Benny and most — if not all — of the minnows seem to be getting along reasonably well.

Unlike many of the festival attendees, I wasn’t quite ready for a beer. I paused briefly at the brewery then moved on for a walkabout that let me peek at some of the other businesses in town. I eventually settled down in the tent in front of the brewery to listen to Paper Street Music Company while enjoying one of those multipurpose beers that fans had promoted at Benny’s side. Not every business in town was open but those that were seemed pretty busy. Apparently that wintertime boost Winterfest was created for is a reality and bennyfishal to all participants.

BLINK II

This is the second coming of BLINK. The first was in 2017 when I underestimated the crowd, arrived too late, and missed the parade entirely. That story is here. This year I arrived in plenty of time, again underestimated the crowd, and missed the parade mostly. Reinforcing the claim that I arrived in plenty of time are pictures, like the one at right, of parade entries in the staging area. I could have taken up a spot in the front row of spectators but chose to roam around rather than stand still for an extra hour or so.

When I did decide to settle down, I thought I’d found a spot near the start behind a single row of spectators that I could see over. That turned out to be something of an illusion, however. There was a row of cell phone wielders seated on the curb and a steady wall of passers-by who tended to pause for extended periods until “encouraged” to move by the folks whose view they were blocking. Even so, I managed a few only slightly blurry pictures, including one of a glowing snail I had caught unlit in the staging area, before my phone rang.

For something more than a day, I had been expecting (or at least hoping for) an important phone call. My fears that it would arrive at the worst possible moment were justified. The parade started moving around 7:20; The call came at 7:32. I simultaneously accepted the call (it really was important) and the fact that I would see no more of the parade. I paralleled the parade route one block away but the route itself was lined by a more or less impenetrable wall of spectators about six deep. The picture is of 3rd Street. Despite being crossed by the parade, plans called for the westbound 3rd and eastbound 2nd to be kept open. That was clearly easier said than done. The cars at the left of the picture are in curbside parking spaces; The rest are not. The car in the foreground is running with its lights on; The rest are not. They are effectively parked in the street with many drivers and passengers beside or on top of their vehicles.

I believe the giant ‘O’ is the one I could see above the parade route people wall. The big wheel is a permanent fixture on Cincinnati’s riverfront. I snapped the picture of the big dog as it headed off to a garage at the end of the parade. It’s another entry that I’d caught in an unlit state. I never did see the dragon in the opening photo in motion.

Even though I couldn’t actually see that parade, I went ahead with my plans to reach its endpoint because I wanted to see the nearby Roebling Bridge. It had been the subject of a lot of BLINK promotion but I wasn’t nearly as impressed as I thought I’d be.

I’d read the advice about picking your targets at BLINK, but I ignored it. I’d done no planning in 2017 and stumbled into something impressive every block or two. I expected to do the same as I headed back north from the riverfront. It didn’t happen. I wondered if my sense of awe was dulled by having seen the technology before. Or maybe my disappointment at missing out on the parade was spilling over into other areas. Both of those are probably at play but I decided there was more to it when I reached the lot in the third photo. In 2017, one of my favorite projections had been here. The brick wall had been the target of a King Records themed projection. This year the lot held the light source for shadow puppets.

I crossed the street and ducked into the Bay Horse Cafe for a Hudy and contemplation. I developed no insight but enjoyed the beer and stepped out with my attitude slightly adjusted and ready to enjoy whatever I encountered. A rather nice projection (Purpose and Play) at 8th and Walnut was followed by the lighted seesaws on Court Street. The seesaws were down by the river in 2017. I think they looked better in that location, but folks were definitely having a good time with them here. My favorite projection of the few I actually saw was Razzle Dazzle at the Ensemble Theater.

In Washington Park, I captured the giant bouncy house that is Dodecalis. It’s one of the few BLINK installations with an entry fee and the only one (AFAIK) that requires shoes to be removed. My car was nearby and I headed there undecided if my sense of being underwhelmed was justified but too exhausted from walking to really care.


On Friday, I was back. B & H Photo Video, where I’ve spent a little money over the years, sponsored several BLINK related walks led by professional photographers. I took advantage of one in the Findlay Market area led by Derek Hackett of ChopEmDown Films. That’s Derek at our first stop, a mural literally just completed by Logan Hicks.

I found the face-on-the-wall extra interesting because it is carved into the surface. It is the work of a Portuguese artist using the name Vhils. The many eyes and bright colors of the second mural make quite a contrast to the photo-like monochrome carving. A bit further on, we encountered Galo, the artist who did it, working on a standalone piece.

Even though BLINK officially opened Thursday, Galo wasn’t the only artist at work on Friday. Two of them were finishing projects almost side by side, and both Tatiana Suarez and Elle waved to members of our group as we watched them at work. It was immediately obvious that, in addition to having fantastic artistic talent and the ability to work on a very large scale, these people must be able to operate that lift with controls mounted on the platform.

We visited several more murals and I took bunches of pictures but I’m only going to include one more from Friday’s walk. It’s another work in process. It is the work of a group calling themselves the London Police and I found it extra interesting because of the subject. The face in the center of the mural belongs to Tatiana Suarez who we just saw painting the mural of the lady and the swan.


I returned to BLINK yet a third time on Saturday. There are installations on both sides of the river this year and my original plan had been to attend two nights so I could check out the displays in Kentucky. After Thursday’s mild disappointment, I wasn’t quite sure I wanted to go back, but Friday’s experience and seeing photos posted by others convinced me that I’d been the victim of bad luck, my own attitude, and a lack of planning. Saturday’s experience was more in line with my expectations. I parked in Covington, walked across the Roebling Bridge into Cincinnati, and checked out a few specific installations. They included an untitled work from Saya Woolfalk and the projections at the courthouse and the Contemporary Art Center.

Then I headed to the riverside and the giant rainbow that first appeared at Burning Man. The constantly changing LEDs make the thirty-foot arch much more than a rainbow. In the second photo, it frames one tower of the Roebling Bridge which I appreciated much more this time than I had on Thursday. The bridge is sometimes called the “singing bridge” because of the sounds made by tires on its grated deck. Recordings of some of the bridge’s sounds have been used to produce some slightly eerie but overall very pleasant music that is played through speakers in the park. My improved appreciation was no doubt aided by that music and the view of the bridge from water level.

There had been very few people on the bridge when I came north. It was now packed. It is closed to vehicles during the festival but both pedestrian walkways are open and filled. It had taken me several minutes to reach the point on the bridge where steps lead to the park. It took right at half an hour to reach the Kentucky shore from those steps. I probably spent a total of forty-five minutes shuffling over the bridge and overheard claims of an hour didn’t now seem as preposterous as they had when I first heard them on the Ohio side.

In Covington, a London Police mural is the base for an animated projection. I can’t help wondering who the model for the female figure was. Could it be mural artist Elle? I’m fairly confident that the model for the projection in the second picture is the world’s largest disco ball which people are dancing beneath just half a block away.

There is one day of BLINK remaining but I don’t anticipate another visit. It could happen though. Tonight that moon will be completely full.  

Butter and Beer, Buckeye Style

I’ve trimmed the time between visits to the Ohio State Fair to four years. That’s much less than the multiple decades that separated my 2015 visit from the one that preceded it. A conversation with a friend who goes every year planted the seed then reading about one particular exhibit got me to seriously thinking about it. Some altered plans and great looking weather turned those thoughts into action.

As I did four years ago, I took advantage of free parking for members at the Ohio History Connection and entered the fair through the nearby gate 3. That brought me right to the north end of the midway. The Sky Glider travels directly over the Food Highway where fried anything, including bubble gum, can be found.

This is the exhibit involved in my decision to head to this year’s fair. In recognition of the fiftieth anniversary of the first moon landing, a butter sculpture of the Apollo 11 crew joins the cow and calf that are fair regulars. The calf is just out of frame in that first picture but both buttery bovines are there. Ohio’s contribution to the crew, Neil Armstrong, makes a second appearance along with what I suspect is a rather slippery ladder.

The moon landing also gets some attention in the chalk drawings outside the Fine Arts Center as does another event celebrating a fifty year anniversary. The Woodstock Music Festival took place less than a month after Apollo 11 flight. The third photograph presents its subject with better perspective because 1) it was drawn with that in mind and 2) I had instructions.  

I caught the All-Ohio State Fair Band in a performance in an open space called Central Park. While the band delivered some high energy tunes, the fellow in the second picture kept up some very impressive twirling, tossing, catching, and, as you can see, acrobatics.

I don’t believe I’ve ever seen any actual turkey judging but I watched just a bit today. I really had no idea what was going on but I have been around turkeys before and the folks attempting to control them certainly had my sympathy. I also watched a little calf judging and passed by three adult dairy cows. The cows were displayed by the Ohio Veterinary Medical Association and each had a sign with their name (this one is Louise) and the phrase “I’m pregnant and due any day now.”

The Ohio Beer and Wine Pavilion is new this year. I was about to leave after my planned one beer stop when it was announced that North High Brewing’s brewmaster, Jason McKibben, was in the building and about to give a presentation. I decided to stick around and, after he started talking about the brewery’s collaboration with the Ohio Farm Bureau, have one more beer. Here‘s something you don’t see on a beer can every day.

I emptied my can of Cover Crop and was once again ready to leave when I was once again enticed to stay. This time it was the start of the Human Cannonball show across the way that pulled me in. I failed to get any photos of the Cannonball’s daughter doing some impressive aerial acrobatics but I did catch his buddy on the tightwire. The announcement leading to the cannon firing included the claim that only about 700 human cannonballs have ever existed since the occupation was created by 14-year-old Zazel in 1877. I haven’t found any independent support of that but it does seem reasonable and it made me wonder if I had ever actually seen one before. I’ve seen a few circuses and a human cannonball seems like something I should have seen but I don’t have any specific memories. In any case, I’ve never seen one this close and I’ve never taken a picture of one exiting the cannon barrel.

With the Human Cannonball’s successful landing, I was again ready to depart and this time I made it. The midway was significantly more active as I passed through it on the way out than it had been on my arrival but nothing tempted me. I’ve now pretty much outgrown the desire to be tossed around or turned upside down, and some of those rides looked quite capable of separating me from my recently consumed Farm Bureau approved beverage. 

More Man at CAM

I visited Phase 1 of the Cincinnati Art Museum’s Burning Man exhibit about two weeks after it opened (Burning Man at CAM). It took me more than a month, however, to take in Phase 2. Phase 2 adds three galleries to “No Spectators: The Art of Burning Man” while leaving everything that was part of the first phase in place. The pictured quote — and line — went unnoticed on that earlier visit although they were certainly there. I was probably looking only at the structure that stands above the line. It represents the Burning Man Temple which, like the man itself, is turned to ashes before the festival ends. It’s a fraction of the size of the real temple but is still much too large to fit into my lens inside the museum. Here are shots of the top half, of one of the panels, and through one of the peepholes.

Christopher Schardt’s Nova was actually part of Phase 1 but, like the line at the entrance, I somehow missed it on my visit in May. Images in the ceiling-mounted LED panel are coordinated with classical music. The last photo was taken while I lay on the floor. I kind of wish I had waited for the skull to come around again.

One of the galleries added for Phase 2 is filled with three polyhedral sculptures from Yelena Filipchik and Serge Beaulieu. There’s a direct view of the suspended polyhedron here. One of the sculptures, with yet another polyhedron inside, can be entered.

This is a part of Phase 1 that I definitely did not miss. In fact, I ended that first post with a promise “to listen to those gongs some more.” I very much kept my promise and am now pretty much convinced that living inside Gamelatron Bidadari would make me a nicer person.

This is the largest of the Phase 2 additions. It consists mostly of two-dimensional art including photographs. I took the picture of the bicycle seat primarily to show the tag but I didn’t do a very good job. It is slightly more readable here.

The third Phase 2 gallery is the balcony above the temple replica and the museum’s main entrance. The central space is filled with clothing created for and worn at Burning Man. Photographs showing the many aspects of Burning Man fill most of the wall space but some of that space holds Candy Chang “Before I die…” chalkboards. Apparently, more than 4000 of these have been erected around the world giving people an opportunity to “pick up a piece of chalk, reflect on death and life, and share their personal aspirations in public.” Some truly deep and personal thoughts have appeared on the walls and the Cincinnati board contains some noble sentiments such as “Help others” and some fairly modest goals like “Go whale watching”, but “Travel” is a very common theme. Pay attention, people.

My post on Phase 1 opened with a photo of the smallish Truth is Beauty standing above the museum’s Great Hall. This one is closing with a photo of it taken from the balcony across the way. There are pictures on display that show the original 55-foot sculpture at Burning Man with no roofs or walls penning it in. It’s obvious that seeing this one third scale copy in climate-controlled comfort is a very poor substitute. I’m guessing that seeing reproductions of or even some of the actual pieces that were once part of Burning Man is just about as much like the experience of being there as my tapping on the steering wheel is like manning the riser behind Mick and Keith at Wembley Stadium. But it’s as close as I’m likely to get. I’ll take it. 

LHA Conference 2019

This is a big reason why drives involved in the preceding trip were not very leisurely. In the early phases of planning, it seemed like a conference in early June and another in late June would leave plenty of room in between. The devil appeared and the leisure time vanished in the details. The early June conference filled the 5th through 8th. This, the late June conference, filled the 18th through 21st. That left what initially seemed like an ample nine days between the end of one and the start of the other. A two-day drive home from Wisconsin and a five-day drive to Wyoming trimmed all the ampleness from the schedule in a flash. I had time to do laundry and repack and am now on the way to Rock Springs, Wyoming, for the June 18-21 Lincoln Highway Association conference. The first day of the trip is in the books and on the web.

This entry is to let blog only subscribers know about the trip and to provide a place for comments. The journal is here.