Small Wonders (And More)

It was several years ago that I first heard about a collection of miniatures in Maysville, Kentucky. I made a half-hearted attempt to find it one day but that was before smartphones, or at least before I learned how to use one, and I failed completely. A recent online mention again brought the collection to mind and this time there was enough information to easily locate it. I filled a wet and idle Wednesday, perfect for being inside a museum, with a visit. Those trip-triggering miniatures are housed at the Kentucky Gateway Museum Center along with two other major permanent exhibits and a research library.

One of those permanent exhibits is the Old Pogue Experience which provides a look at the area’s bourbon history. That’s where I began my visit. The photo at the top of the page is of the museum’s main entrance. Old Pogue has its own entrance although the two buildings are connected by a second-floor walkway. Production has not quite been continuous (Remember that Volstead Act thing?) but fifth and sixth generations of the family operate Old Pogue Distillery today with tastings available at the museum. The model of the 1910 Pogue Distillery could be considered a preview of coming attractions.

The Wormald Gallery is the other section of the museum I was thinking of when I spoke of two major permanent exhibits in addition to the miniatures. It is a mixture of truly permanent and rotating displays of regional history.  Among the many displays are two devoted to major exports of the past: tobacco and Rosemary Clooney.

Backstage Hollywood – The Photographs of Bob Willoughby is on display in the museum’s Calvert Gallery through March 16. Willoughby is the first still photographer to be invited by movie studios to work behind the scenes. The exhibit features unstaged glimpses of the likes of Sophia Loren, Marilyn Monroe, Elizabeth Taylor, and others from the 1950s and ’60s.

My decision to save the Kathleen Savage Browning Miniatures Collection for last was indirectly validated when a docent I was chatting with remarked that this is where people spend the most time. This model of the Catherine Palace is currently displayed in what might be considered the museum’s lobby area as a bit of a tease. I passed it on the way to the Backstage Hollywood exhibit then studied it closer on my return. The palace and all items in the miniature collection are said to be 1/12 scale.

Spenser House stands just inside the entrance of the main gallery of miniatures.

Local landmarks also get space in the collection. The Russell Theater, where The Stars Are Singing, with Rosemary Clooney, premiered in 1953, and the 1886 Cox Building are both still standing in downtown Maysville. After leaving the museum, I grabbed pictures (here and here) of both.

The whole world of Mother Goose doesn’t take up a lot of space here. Wynken, Blynken, and Nod are quite small and so is that contrary Mary. The pretty maids in a row, and in her arms, are even smaller.

The tinyness of displayed items is not always apparent in photos so I propped a real U.S. quarter up in front of some musical instruments. The diameter of the quarter is 0.955 inches or 24.26 millimeters.  I can only guess at the diameter of the valves on that trumpet.

Book Review
America’s Greatest Road Trip!
Tom Cotter and Michael Ross

It’s a simple concept. Position yourself at the southernmost point in the continental United States then drive to the northernmost point in the U.S. accessible by road. The former is Key West, Florida. Deadhorse, Alaska, is the latter. The two are separated by a little over 4,000 miles as an extremely hardy all-weather crow might fly. Limited to traveling on the earth’s surface, Tom Cotter and Michael Alan Ross clocked 8,881 miles in making the connection. The difference is easily justified. Tom and Michael had more fun than any crow could even dream of.

Tom Cotter is best known as The Barn Find Hunter from the numerous books and videos he has produced about automotive treasures found in barns and the like. He is also a road-tripper whose adventures include a cross-country Model T drive documented in a book I reviewed here. Michael Alan Ross is a very successful automotive photographer whose work filled that Model T book. On that Model T drive, MAR, as he is commonly known, drove a chase vehicle. This time he and Cotter share the driving and space in the small camper they tow.

That camper was a new Basecamp 16X on loan from Airstream. The tow vehicle was a 2021 Bronco Outer Banks on loan from Ford. As Cotter tells it, he got the Bronco by telling Ford that Airstream had promised him a camper and he got the camper by telling Airstream that Ford had promised a Bronco.

Very early in the trip, the travelers broke one of the few guidelines they had established by jumping on I-75 while still in southern Florida. This is at odds with the “backroad USA” called out in the subtitle and Cotter readily admits that it is “cheating”. But it is understandable. With everything that lay ahead of them, there was a natural urge to leave the familiar behind and get on with the exotic. Before leaving Florida, they returned to the planned program by leaving the interstate for US 27.

They clipped a corner of Georgia, then crossed Alabama (with a stop in Muscle Shoals) before turning north in Louisiana to reach Tennessee. They entered Missouri via the bootheel and maintained a west-by-northwest course through that state and Kansas with appropriate adjustments to take in the big ball of twine in Cawker City. Then it was a little more directly north through Nebraska and the Dakotas with a Memorial Day pause at the Black Hills National Cemetery in South Dakota. There was a different sort of pause at the North Dakota line. Despite all of Cotter’s past travels, he had, at this point, visited just forty-nine states. North Dakota was number fifty.

North of Bismarck, Cotter and MAR picked up US 2 and headed west. That might not be the most direct route to Alaska but there were friends near Seattle and, as any good road-tripper knows, anything can be “on the way” if you look at it just right. Hitting Glacier National Park and the Going-to-the-Sun Road might have also been a factor in route selection but the scenic road was not yet open for the summer when they arrived. There was, of course, plenty of great scenery even without Going-to-the-Sun, and plenty of interesting people, too. 

Cotter and MAR both had friends in the Seattle area but swapping hellos was not the only reason for making that a target. The two travelers had planned for a month-long break in the middle of the trip to attend to their day jobs and visit family. The Bronco and Airstream would be left with friends while they flew home and back.

With the break out of the way, it was time to enter Canada and head for the beginning of the Alaska Highway in Dawson Creek, British Columbia. Cotter had a recent (but not quite current) edition of The Milepost with him. The Milepost is published annually and is close to indispensable for anyone traveling the Alaska Highway. That road is its primary focus and its initial reason for being but it now not only covers the Alaska Highway but just about every path for getting to and from it. That includes coming from Vancouver which is what Cotter and MAR were doing.

British Columbia and the Yukon Territory contain the bulk of the Alaska Highway with only the northernmost two hundred miles or so being in Alaska. Cotter reports that any pride associated with returning to the U.S. was short-lived and declares this “absolutely the worst roads” they had driven so far. The Alaska Highway officially ends at Delta Junction but Fairbanks is easily reached on what is sometimes seen as an extension, the Richardson Highway.

The Airstream was left with a cousin while Cotter and MAR tackled the final stretch to Deadhorse in the Bronco. Several aspects of this trip reminded me of my own 2016 drive to Alaska but perhaps none so much as the mention of “a mandatory pit stop at the Hilltop Restaurant north of Fairbanks”. Even though I did not drive north of Fairbanks on my own but used a commercial tour company to visit the Arctic Circle, we had breakfast at the Hilltop before hitting the Dalton Highway.

My visit to the Arctic Circle had been a one-day there-and-back affair. Cotter and Mar spent a night on the Dalton Highway in Wiseman and two nights at the end of the road in Deadhorse. Just reaching the end of the road would be enough for most people but Cotter went above and beyond by joining the Arctic Polar Bear Club with a dip in the 40°F Prudhoe Bay to bookend his dip in the “warmer than my morning shower” water at the start of the trip in Key West.

Looking back over what I’ve written, it seems I’ve been reviewing the trip rather than the book. Maybe there is at least a sense of it in the included thumbnail images. It has lots of MAR’s wonderful photos. The thumbnails offer hints of these although they don’t show that they are printed on heavyweight glossy paper which helps them look their best. Cotter’s words augment the photos (or vice versa) with details of the trip I have more or less summarized. Those words are at their best when telling about encounters with others. Some are people living along the route while others just happen to be traveling a piece of it at the same instant Cotter and MAR pass by. The ratio of the two sort of reverses itself as the trip progresses. Residents — some permanent and some temporary  — outnumber people actually in motion during the early portions of the trip but the situation is pretty much the opposite once the Dalton Highway is reached.

Some percentage of interesting people exists among both residents and travelers just about everywhere. Cotter manages to find them on a regular basis but he suggests that the percentage may increase toward the end of the trip. “Boring people generally don’t travel to Alaska’s outback,” he observes. I guess that means his job got easier the farther they traveled.

America’s Greatest Road Trip!: Key West to Deadhorse: 9000 Miles Across Backroad USA, Tom Cotter and Michael Alan Ross, Motorbooks (September 19, 2023), 9.45 x 10.71 inches, 192 pages, ISBN 978-0760381069
Available through Amazon.

Inaugural Cincinnati Chili Week

Today, February 25, 2024, is the very last day of the very first official Cincinnati Chili Week. With all the noise that has been made about this iconic Cincinnati food over the years, it is really hard to believe that this did not happen long ago. While waiting, I had my own “Chili Week” in 2013. Because I was in control, I synchronized it with this blog’s schedule and got in visits to seven different chili parlors for Chili All Week and It’s Cold, Too. With the official Chili Week week running Monday through Sunday, one day remains when the Sunday morning post is published but that also means it can include only six days of chili.

Eleven years is a long time ago. Of the dozen chili parlors covered in that 2013 post and a follow-on 5 More 4s second chapter, four have closed and another has relocated a block away. Three of the closures were of a brand’s only location and three brands that were part of my 2013 dozen have chosen not to participate. The result is that exactly six of the dozen chili brands I wrote about in 2013 were candidates for visits during the six days of Cincinnati Chili Week preceding this post. Coincidence? Perhaps, but, despite being saddened by the closures, I’m happy to be spared the need for tough choices for the official version of my unofficial Chili Week.

Monday: In 2013, the Monday of my full week of chili saw me at one of the two Empress Chili parlors that remained. That location has since closed so this year I headed to Empress Chili in Alexandria, KY. Other restaurants in the area serve Empress brand chili but this is the only place where the restaurant itself carries the Empress name. Their slogan, “The first edition of a Cincinnati Tradition” comes from the fact that Cincinnati-style chili originated in the Empress Chili parlor on Vine Street in 1922.

Tuesday: An article that mentioned Price Hill Chili was the seed that led to the 2013 week of chili and it is where I ate on the Sunday that got that week rolling. That was my first time ever at the restaurant but I’ve been back multiple times since then and was happy to make it my second stop for the first official Cincinnati Chili Week.

Wednesday: The spread of Cincinnati chili across the region began when an Empress Chili employee set up shop in an 8 by 30-foot space across the river in Newport, KY. The original, but greatly expanded, Dixie Chili location is still in operation and two more restaurants have been added. Today, owner Spiros Sarakatsannis ate lunch (chili & salad) and conducted a little business at a nearby table while I enjoyed my third 4-way of the week.

I went overboard on Wednesday and indulged in dessert while in Kentucky. In the same spirit that area sweet shops have served macarons and beignets disguised as hamburgers during Burger Week, Frosthaus, in Covington, served this sundae disguised as a 3-way. I had no idea that spaghetti ice cream even existed but apparently, it is fairly common in Germany and it’s the perfect basis for a Chili Week dessert.

Thursday: Cincinnati Chili Week is wrapped around National Chili Day and this is it. I celebrated the doubly special occasion at Blue Ash Chili. In April 2021, the store where it all started in 1969 was closed and the operation moved about 500 feet away to this strip mall location. It’s not as photogenic as the standalone building was but it looks great on the inside and the chili is just as good as it ever was. My standard order is a 4-way with onions but that’s a stock 3-way in the picture because that’s their Chili Week special.

Friday: There’s a lot to like about Camp Washington Chili including the fact that it is just a few blocks away from the American Sign Museum which makes it the perfect stop before or after a visit to the museum. I followed my fifth Chili Week check-in with a stop at the museum where I could hear sawing or grinding on the other side of the wall as work on the expansion area continues.

Saturday: Even though Cincinnati Chili Week promotional materials say there are 50+ Gold Star locations taking part in the event, I had my sixth and final 4/3-way of the week at the same one I visited for that 2013 blog post. At around two miles distance from my door, it’s the closest.

Skyline Chili is the 140-store gorilla that’s not in the room. According to event organizers, “They opted not to participate as they did not want to discount or offer a $5-$7 special.” I doubt the absence does much harm to the company and it did simplify my schedule for the week. C’est la vie.

A Hundred Looks at a Hundred Books

Last Wednesday’s post was the 100th book review published on this blog. Eight were of my own books and one (Book Review (not really), A Prayer for Owen Meany, John Irving) was, as the title proclaims, not really a review of the actual book. Still, that leaves 91 legitimate reviews of books I didn’t write and that’s many more than I anticipated when I posted the first review in November of 2011. The blog was just about three months old then. The About page says that the most likely subjects of books reviewed are “…those related to something I personally like such as old roads or cars.” That first review (Ghost Town of Route 66) clearly fits and I think the 100th (Walking to Listen) does too. It’s not about a particular road but it is about being “on the road” which seems close enough. Besides, the phrase is “such as old roads or cars” not “exclusively old roads and cars”. The truth is anything “I personally like” is fair game.

When I wrote that “old roads or cars” line, I expected the bulk of my reviews to involve one or the other but that has not been the case. An imprecise classification effort found only 5 reviews of books about or featuring cars. There were 32 about roads which means that 63 were about neither.

I was not surprised to see that only 9 of the books I reviewed were fiction. Books are either fiction or not but they can appear in more than one of my arbitrary subject categories. Those counts are:

  • 37 – history
  • 32 – road
  • 25 – memoir
  • 16 – photo
  • 15 – guide
  • 12 – travelog
  • 5 – cars
  • 1 – physics

I won’t even attempt a “Best of” lists but I do have some “Most Memorable” picks. That I picked several photo books did not surprise me but seeing that three of my picks involved motorcycles was unexpected. No Room for Watermelons tells of Ron Fellowes’ ride through fifteen countries on a 1910 motorcycle. Hues of my Vision, by Ara Gureghian, and The World from My Bike, by Anna Grechishkina, visually document their authors’ life on the road over several years. Living on 3 wheels (a sidecar carried his dog) ended for Ara when back problems made it impossible to ride. Anna’s travels were interrupted when her homeland was invaded and she returned to Ukraine to help in its defense. I hope with all my heart that there is a sequel.

Route 66 Sightings coverTen Million Steps - coverI clearly have a weakness for photo books but these two are also road books. In 2004, Joe Hurley took the steps and Travis Lindhorst took the pictures for Ten Million Steps on Route 6. Three of Route 66’s finest (Shellee Graham, Jim Ross, and Jerry McClanahan) collaborated on Route 66 Sightings which might be the best advertisement for a decommissioned highway you’ll ever see.

Outside the Wire coverEvery member of the trio responsible for Route 66 Sightings turns out plenty of exceptional solo work. Most of it is connected to Route 66 but this book from Jim Ross is an exception. It’s the story of his time in Vietnam. In my review, I said of Jim that, “What he does do is bring veteran skills to the telling of a rookie’s story.” I think that’s why this book is so memorable to me.

This is one of the five “car books” I counted. The car is a 1926 Model T that carries Darlene Dorgan and her friends on some wonderful adventures in the 1930s. Darlene’s Silver Streak tells of those adventures as well as the car’s modern-day restoration and display. I bought the book when I first saw the car on display which is probably part of the reason I find it memorable.

The count will not stop at one hundred, of course. In fact, a couple more are already in the works. One is sort of about a road. The other is not. I really see no reason to expect the mix of topics to change much in the future except for a probable decrease in the number of physics books reviewed. 

 

The First Day of Pompeii:
The Exhibition

Pompeii: The Exhibition opened at the Cincinnati Museum Center on Friday. I would have been in the first group admitted and possibly even the first person admitted if a guard had not blocked the stairs and escalators until precisely 10:00 AM. That was the official exhibit opening time but an unguarded elevator a few feet from the stairs meant that a group of patrons were receiving their pre-entry briefing when I and the rest of the walkers arrived. It’s always good to begin the day with something funny.

Following our own briefing, we entered, received another short briefing beneath the screen in the opening picture, and were then treated to an introductory video on that screen. At the video’s end, doors opened on a life-size marble statue of the goddess Aphrodite. Much like the moon, this is the view of the goddess that we most often see although there is another.

Pompeii was a prosperous port city and art was plentiful. Public spaces and private homes contained decorative mosaics, frescoes, fountains, and more statues.

There were plenty of practical items too. Examples are scales used in the market, fishing hooks, and cooking utensils. I know I’m not the only one with a cast iron skillet that looks almost exactly like this bronze one from Pompeii.

I suppose these items are also practical in their own way. Gladiatorial contests were primarily held for entertainment but staying alive was definitely a practical concern for the participants. Next to the displays of weapons and armor, a holographic video about the various types of combat got its share of attention.

Also getting attention was a small room offset from the primary flow. Both entry briefings had described the special markings for this adult-oriented display in case parents wanted to make sure their charges avoided it. If any did, it wasn’t obvious. A sign begins with the astute observation that “Ancient Roman sexual customs were different from those of our contemporary society.” Back then arriving with bells on really meant something.

Theatrical entertainment was quite popular in all of Rome including Pompeii. Actors wore masks to establish their characters. Here is a fresco depicting a pair of masks and a full-size marble mask. Both of these were purely decorative as masks actually worn on stage were made of lighter materials such as linen.

Another set of warnings in those entry briefings concerned loud noises and bright lights in the “4D eruption theater”. I do not doubt that these could be disturbing for some but most will find them underwhelming. Same with the slightly moving floor which I assume is the fourth dimension. If you enter expecting a high-definition video of the eruption shown on a large flat screen you will see an extremely good one. Expect more and you might be disappointed.

Images of the casts of the victims of the eruption are the most familiar and also the most disturbing. These are not human bodies but shapes formed within the volcanic ask where bodies once were. The quote on the wall in the first picture is from Pliny the Younger who watched the eruption from a little more than a dozen miles away and then documented it. In this exhibit, many of the casts are displayed in front of large photographs which I assume depict the situation in which they were found.

Exit is, of course, through the gift shop where we are reminded that striking a good final pose will greatly increase your chances of appearing on a shot glass or refrigerator magnet in a couple of millennia.

Aphrodite’s butt and iffy shot glasses aside, this is an impressive exhibit that provides a detailed and accurate look at a real Roman city of two thousand years ago. Pompeii: The Exhibition runs through July 28.

Book Review
Walking to Listen
Andrew Forsthoefel

Twice I have posted previews of books. This was the subject of the first one back in 2013. The second came along in 2015, and I believe it was posted with the hope of boosting a Kickstarter campaign to publish the previewed book. I’m not quite sure why the first preview was posted. Maybe I just felt an overwhelming urge to write something. It does happen. Whatever the reason, I was obviously quite impressed with the This American Life episode where I first learned of Andrew Forsthoefel and his recently completed walk, and I really expected the book to appear shortly. It did not.

In a paragraph at the end of the second book preview, I reported that I was still following Forsthoefel’s blog and there was still hope for the book but that my confidence was weakening. I eventually stopped following the blog and missed the book’s publication a couple of years later. A recent Amazon Associates change (They dropped support for links to images.) had me revisiting all of my reviews and making changes to many. That Walking to Listen preview required no changes but looking it over jogged some memories and I learned that the book had been published — about seven years ago — and was now available.

The recently completed walk that caught my interest back in 2013 was 4,000 miles long and had taken nearly a year. The book documents the journey in the tradition of John Steinbeck’s Travels with Charley and William Least Heat-Moon’s Blue Highways which means it is much more about people and experiences than places. Of course traveling by vehicle, as Steinbeck and Heat-Moon did, is a lot different than walking, which Forsthoefel did. There is a third book I often thought about while reading Walking to Listen. Ten Million Steps on Route 6 is the story of Joe Hurley’s walk across America. That’s closer to Forsthoefel’s experience but Hurley had a chase car that picked him up at the end of each day while Forsthoefel often slept right where he stopped walking in a tent he carried.

“WALKING TO LISTEN” was written on a small sign that Forsthoefel carried. It was a visual aid when explaining what he was doing. I suspect it gave more of a sense of mission to his walk than simply speaking the words would have. Maybe it made people less reluctant to speak into the small recorder that Forsthoefel used in interviews. Being twenty-three and fresh out of college probably helped too. The bulk of Walking to Listen consists of Forsthoefel telling his story in his own words although he does use some quotes from interviews in the telling. But every chapter is preceded by a verbatim transcript of a portion of one of those interviews. The person or persons speaking is identified along with the location and approximate date and the transcript follows. Some are very short excerpts. None are longer than a couple of pages but they do add a little “live-action” to the well-crafted retellings that fill most of the pages.

The “fresh out of college” situation I mentioned is one of the reasons for the walk. Graduation is sometimes seen as a time to access things before making the next commitment and so it was for Forsthoefel. He frequently referred to life after college as “coming of age”. He really was walking to listen and hoped to hear some advice. But there was another source of uncertainty in his life. His parents’ divorce had surprised him and left him unsure of his relationship with his father. He started the walk hoping to get some help with that too.

Although Forsthoefel wanted mostly to learn something about himself, he couldn’t help but learn something about the world just as the other three writers I’ve mentioned did. Sadly, one of the biggest things he learned in 2012 was the same thing Steinbeck learned in 1962: racism in the U.S. is quite healthy. It is usually more subtle and there might even be a little less but it did not go away during the intervening half century. Forsthoefel happened to be in Selma, Alabama, on Martin Luther King Day. One of the people he spent time with was the city’s African American police chief. Clearly, progress had been made since March of 1965. Yet, on his last morning in town, he runs into a man he had met earlier. There are others with him and at one point he whispers to Forsthoefel, “But some of them are still living in the past, if you know what I mean. So don’t bring up integration. Just play it cool.”

Forsthoefel also learned that generosity, too, is quite healthy. People of all sorts offered help that ranged from a single donut to housing and feeding him for several days. He was grateful for every helping hand, of course, while realizing that some of that help would not have been there had he been anything other than a young white non-threatening male.

The walk can be considered a success I think. Forsthoefel probably didn’t get as much advice on “coming of age” as he hoped but he did get quite a bit and the confidence that comes from walking solo across the country no doubt helped a lot. The relationship with his father also seemed to be in pretty decent shape when the walk ended. At least one person reviewing the book thought too much space was given to these personal issues. I thought they were discussed just enough to provide some understanding of why the walk was happening.

I did not read this book to help with my own coming of age or with parental issues. It’s a little late for both. I read it to get another person’s view of the country and I got that — at three miles an hour.

Walking to Listen: 4,000 Miles Across America, One Story at a Time, Andrew Forsthoefel, Bloomsbury Publishing (2017), 5.5 x 8.15 inches, 400 pages, ISBN 978-1632867018
Available through Amazon.


100th Book Review
Responding to that Amazon change I mentioned involved filtering the list of blog entries and learning I had written 98 book reviews. One more has been published since which makes this the 100th book review published on Denny G’s Road Trips Blog.

Trip Peek #131
Trip #9
Road to Revolution

This picture is from my 2002 Road to Revolution day trip. The journal is organized as a day trip and posted in the DayTrips directory but had to have a Next Page link added because the trip actually occupied two days. It’s the only such journal in my collection. The sequence of Trip Peeks is random but of late the selections have been from the fairly recent past. This is the earliest trip to appear in a Trip Peek for quite some time. The photo is from Zoar Village which I visited on that second day.

The trip’s title comes from its destination being Fort Laurens, Ohio’s only Revolutionary War fort. Stops on the way included Great Circle Earthworks, National Road and Zane Grey Museum, and Gnadenhutten. I knew very little about Zoar Village at the time but stopped there for dinner at a place that was also an inn. I quickly realized that this was a place I needed to see so I spent the night and toured the village the next day.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Movie Review
Deep Sky
IMAX Original

I have not followed every detail of the astounding James Webb Space Telescope’s beginnings but I have been aware of some of the bigger events. I knew when it left Earth atop an Ariane 5 rocket on December 25, 2021, and I listened to reports of its eighteen gold-coated mirrors being unfolded and aligned. I marveled at those first images shared with the world on July 12, 2022. They were impressive on the tiny 6-inch screen on my phone, more so on my compact laptop’s 13-inch screen, and better yet on my small-by-modern-standards 42-inch TV. I need a bigger word than impressive now that I’ve seen some of them on a 72-foot OMNIMAX screen.

Deep Sky was released on October 20, 2023, and has been playing in several theaters spread around the world for a while. It began its run at Cincinnati’s Robert D. Lindner Family OMNIMAX® Theater with an 11:30 showing on Friday, February 2. I was there.

The front end of the movie covers the telescope’s construction, launch, and deployment. Some big numbers were tossed out concerning distance, number of people involved, etc. One that caught my attention was the count of Single Points of Failure (SPOFs). A SPOF is something that causes an entire system to fail if it does. It’s a concept I’m familiar with from my working days in software. A definition found online ends with “mission-critical systems should not have a SPOF”. According to Deep Sky, the deployment sequence for JWST had 344 of them. Not one caused a problem.`

There is a fair amount of computer-generated graphics in the film to illustrate the operation of the telescope in space and other impossible-to-capture views. They are wonderfully done and visually quite stunning on the big dome. Giant images from computers are great and may even equal those produced by the telescope in terms of visual impact but knowing that something you are seeing is an actual capture of something in the real world generates a whole different type of awe. 

There is a lot of awe present in the movie itself. It is apparent in every one of the program participants who put in an appearance. These are people who are truly excited to be part of a project that is advancing mankind’s knowledge of this world and their enthusiasm is more than obvious.

Much of the buzz generated by JWST comes from never-before-seen objects it has captured such as galaxies older than any previously recorded. These are well represented in Deep Sky. JWST has also provided better images of things that have been studied for some time. One example is the supernova of 1604 which was observed by Galileo. Another is the “Pillars of Creation” first imaged by the Hubble telescope in 1995. A JWST-generated image of the Pillars is in the movie poster that begins this article. A Hubble version can be seen here. NASA has made bunches of information about JWST and a huge number of images collected by the telescope available here. As I said, those images are truly impressive even on a display screen that fits in your pocket. You don’t have to attend a showing of Deep Sky to be gobsmacked by those awesome pictures but a 72-foot diameter dome jam-packed edge-to-edge with glowing galaxies will gobsmack you a bit differently and maybe a little harder.


While I was at the Cincinnati Museum Center, I took in Jane Goodall: Reasons for Hope which was showing ahead of Deep Sky and I snapped a picture of a promotion for the upcoming Pompeii: The Exhibition. All images in this article other than the first two are of a dynamic promotional display in the museum. I very much enjoyed the Goodall movie and there are some sections that take advantage of the IMAX format. I already have my ticket for the Pompeii exhibit which opens February 16. Coordinated with that opening is a return of
Volcanoes: The Fires of Creation which was the first movie shown in the Lindner Theater following its conversion to digital in 2018. I reported on seeing it here.

For both movies that I saw, the familiar psychedelic light tunnel video that traditionally kicks things off was replaced by a video that points out some of the theater’s features while entertaining eyes and ears much like the light tunnel. An attendant told me they have been using the new video for about a month and that the light tunnel is still around and used for some movies.  

Happy Imbolc (Again/Exact/Maybe)

One of the few details I remember from Tracy Kidder’s 1981 The Soul of a New Machine is the note that one of the engineers left behind when, frustrated by nanosecond timing issues in the computer they were designing, he simply took off. The note read, “I’m going to a commune in Vermont and will deal with no unit of time shorter than a season.”

What a wonderful idea. Problems seem to just naturally appear in dealing with time shorter than a season even when the time in question is much longer than a nanosecond. There is a problem of sorts in simply measuring a season. Something that I must have known but which did not really register with me until recently is that not all seasons are equal. And by seasons, I mean the periods between solstices and equinoxes. A simplified explanation is that Earth moves around the sun in an ellipse rather than a circle and that it travels faster relative to the sun when it is closer to it. I was reminded of this when I tried to calculate the time and date of Imbolc and realized that dividing an exact fourth of a year in half just didn’t work. The actual lengths are approximately 90 days for spring and autumn, 94 days for summer, and 89 days for winter. Yeah, that doesn’t add up to 365 days but throwing in the word “approximately” makes it OK.

When I spoke of calculating the time and date of Imbolc, I meant the point halfway between winter solstice and spring equinox. I suppose I should quit calling it that. Even though Imbolc may have originally been linked to that point, many who celebrate it have more or less attached it to the calendar date February 1. Same thing with Saint Brigid’s Day. Similarly, Candlemas and Groundhog Day have been nailed to February 2 even though they too were once associated more tightly with winter’s midpoint. Of course, even before they were detached from astronomy and attached to calendar dates, these were seen as holidays rather than instants. Back when humans first started recognizing solstices and equinoxes and points halfway between them, they were no doubt happily dealing with no unit of time shorter than a day.

I first wished the world Happy Imbolc in 2016 then repeated it in 2023. Those posts used a photo of a sign at Gobbler’s Knob taken on my only Punxsutawny Phil visit. This time it’s a picture of Howdy Doody and Princess Summerfall Winterspring which I think fits better with all that talk of seasons.

By my calculation, the instant halfway between the most recent winter solstice and the next spring equinox is 10:47 on February 4, 2024. I am not 100% certain that is accurate and I’m not even sure what I should call it if it is. But it’s all I’ve got and, since it is a mere 4 hours and 47 minutes after this blog’s normal weekly posting time of 6:00 AM, I have decided to synchronize this week’s post with that cosmic event.

Happy Winter’s Midpoint! We’ve made it halfway.

Meltdown Winter Ice Festival

The last weekend in January seems like a pretty safe time to have an ice festival in Richmond, Indiana. The average temperature there for both the 26th and 27th is 32°F which sounds just about perfect. But averages are not guaranteed. If the town’s Meltdown Winter Ice Festival had taken place a week or two ago, organizers might have wondered if people would brave the near-zero temperatures to attend. On Friday, their top concern was probably whether or not the ice sculptures would survive the day’s temperatures which were pushing fifty.

This is the Meltdown’s eleventh year but it somehow hid from me for the first decade. A significant part of it escaped me this year, too. I timed the hour-and-a-half drive to give me time for dinner before the first item on the schedule. I parked near Jack Elstro Plaza where big blocks of ice were being unloaded and food trucks were setting up. I ate at a local restaurant as I worked my way to the historic district. An online map indicated where sculptures would be but those I walked by were empty. It eventually sunk in that all carving was to be done on-site and was just starting Friday evening. All ice festivals I’ve attended had on-site carving but others also had some sculptures finished elsewhere and trucked in ready to display.

I continued along the path indicated by the map. It included several blocks of Main Street and it was on Main, in the vicinity of Jack Elstro Plaza, that I saw my first ice sculpture of the day. A fellow adjusting the sponsor tag as I approached told me it had just been finished a very short time before. There was already evidence of melting and I had to wonder if it would make it through the night.

Back at the plaza, things had picked up considerably while I was walking and eating. Several sculptures were nearing completion and perhaps would soon be positioned around town like the one I had seen on Main Street.

A couple completed sculptures appear to have already been moved from the carving area to display positions around the plaza. Or maybe they had been carved in place. I’m still not really sure how all this works.

The food trucks were all operating and the igloos scattered around the plaza area had a few occupants although I believe they had entered out of curiosity rather than a need to keep warm. I went through all of the food trucks looking for a cup of coffee but came up empty. Maybe if it had been fifteen or twenty degrees cooler, some enterprising vendor would have coffee or hot chocolate on their menu. And maybe those igloos would have been completely filled.

So I learned that showing up when the event first opens is not a wise move in terms of looking at completed sculptures. I had intentionally picked Friday over Saturday because I thought Saturday might be too crowded. I had only myself to blame for feeling a little disappointed when I started for home.

I was not disappointed enough to drive back to Richmond on Saturday but I did check in on things remotely. Rain might have reduced crowd size somewhat but there was still a good turnout and there was never any thought of canceling the festival’s main event, the Meltdown Throwdown, because of the rain. I was surprised to learn that this timed competition between two teams of carvers was being streamed live for the first time. The teams carve in three ten-minute segments. The screen captures are from the beginning of the second and third segments and after it is all over. The winner, selected by audience volume, was the iguana from Team Ice with a tongue carved separately and attached in the final moments. The guitar on Team Fire’s rocker was also a separately carved attachment. A second guitar was smashed in dramatic Pete Townsend fashion as time expired